Cons No power supply in the box. Even better, each Q-Link can access three different parameters for a total of 72 real-time Q-Links! Please refer to the following guide found in the document section: Pros Quick to set up and edit. Image 1 of 2 A well-spaced layout means that the MPD32 is great performance tool. Just as the pads have four banks, so the controllers faders, knobs and switches have their own Control Bank switches so you can select one of the three available banks.
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In addition to Live and nearly any other MIDI software, you can also drive any MIDI hardware, such as synths, sound modules, samplers, sequencers, drum machines, and more. Tap Tempo and Time Division switches come into play here too, though tempo can be set per preset ie, global setup or to incoming MIDI clock. The MPD32 also gives you a dedicated set of transport controls for instant access to the most commonly used DAW or sequencing-software controls.
As well as the 16 MPC-style pads, eight rotary knobs and eight faders with eight lit toggle switches beneath there are three more input possibilities: Wide range of parameter assignments.
Even better, each Q-Link can access three different parameters for a total kpd 72 real-time Q-Links! Just as it is on the unit, storing, loading and naming presets is simple and quick in the software.
The MPD32 has 30 preset slots available in its memory, with each preset containing a total snapshot of the controller assignments and ranges. The 16 pads are extended by the four pad bank switches that allow for four sets of pad assignments – this is akao of the functions that really helped the MPCs become such renowned performance tools.
The pads and switches can be used to send program change messages, while the knobs and faders can be assigned to control aftertouch. This gives the user 24 level faders, pan pots and mutes. Just as the pads have four banks, so the controllers faders, knobs and switches have their own Control Bank switches so you can select one of the three available banks.
Built around the controls and technology from Akai Professional’s industry-standard MPC series, the MPD32 is an expressive and intuitive instrument for the studio and stage. All CC ranges can be set ie, minimum and maximum valueswhich is essential to prevent overshooting on filter resonance control, for instance, or limiting DAW fader throws to peak at 0dB. You can access four different banks of sounds from the MPC pads for a total of 64 sounds at your fingertips.
The repeating can be assigned to either momentary or toggling behaviours, and Gate and Swing parameters are on the next edit page to make the most of those repeats.
MPD32 – Media Images. MPC Swing is sometimes referred to as “the heart and soul of hip hop” because it turns perfectly aligned sequences into human-feeling time alignments.
Image 2 of 2 The faders are short, but just about long enough. It comes with a custom versions of Ableton Live Aaki so you can start creating right out of the box. With the audio production market now full of control surfaces, Akai is relying on the classic look of its MPC range to make the MPD32 stand out from the crowd.
The final controls come in the form of a transport section record, play, stop, forward and rewind.
Our Verdict A flexible controller for studio and performance use – computer users who want MPC-style functionality should snap it up. Whether inspiration strikes you in the studio or on stage, the MPD32 gives you a comprehensive compliment of input and control devices matched kpd the peerless feel of the MPC — only from Akai Professional.
Akai MPD32 review | MusicRadar
Cons No power supply in the box. Image 1 of 2 A well-spaced layout means that the MPD32 is great performance tool. These can communicate transport information with software via four different protocols: In fact, our only real gripe is that no PSU is supplied.
The controller you’ve been waiting for. Akwi Quick to set up and edit. A flexible controller for studio and performance use – computer users who want MPC-style functionality should snap it up.
The controls all feel solid enough to endure a fair battering and the layout is quick to navigate, though the plastic chassis is a little uninspiring. We worried that it might be difficult to get all the pads, knobs and faders doing what we wanted, but it turns out to be easy.
The pads, faders and switches feel just like they always have on the MPCs, though the knobs have been altered as they can now rotate continuously. You can specify exactly the mpdd and timing of swing you want to apply for the perfect feel. Though the faders have a shorter throw than those commonly found on mixing desks, they are smooth, sturdy and have enough track to ride levels in a worthwhile fashion.